The Real Dixieland Book 13: Over 250 Songs to Master Dixieland Jazz Style
The Real Dixieland Book 13: A Comprehensive Guide for Jazz Musicians
If you are a jazz musician who loves the lively and joyful sound of dixieland jazz, you might have heard of or used a book called The Real Dixieland Book. This book is a collection of over 250 songs that represent the essence and diversity of dixieland jazz style. It is a valuable resource for learning, playing, and sharing this wonderful music with others.
the real dixieland book 13
But did you know that there is a new edition of this book that has been recently released? It is called The Real Dixieland Book 13, and it is more than just an update. It is a comprehensive guide that covers everything you need to know about dixieland jazz, from its history and characteristics to its instruments and arrangements. It also provides tips and benefits for using this book effectively in your practice and performance.
In this article, we will explore what makes The Real Dixieland Book 13 such a great tool for jazz musicians who want to master dixieland jazz. We will also give you some examples of songs included in this book and how they can help you improve your skills and enjoyment. Whether you are a beginner or an expert, a soloist or a band member, a student or a teacher, you will find something useful and inspiring in this book. So, let's get started!
The History of Dixieland Jazz
Dixieland jazz, also known as traditional jazz or New Orleans jazz, is one of the oldest and most influential styles of jazz music. It originated in the early 20th century in New Orleans, Louisiana, where a melting pot of cultures and musical traditions created a unique and vibrant sound. Dixieland jazz was influenced by blues, ragtime, brass band, gospel, folk, and Creole music, among others.
Dixieland jazz was initially played by African American musicians who improvised over simple chord progressions and melodies. They used instruments such as cornet, clarinet, trombone, tuba, banjo, piano, and drums. They often performed in parades, funerals, parties, and clubs. Some of the pioneers of dixieland jazz were Buddy Bolden, King Oliver, Louis Armstrong, Sidney Bechet, Jelly Roll Morton, and Bix Beiderbecke.
Dixieland jazz became popular across the country and the world in the 1910s and 1920s. It was also recorded and broadcasted by various labels and radio stations. It inspired many other jazz musicians and styles, such as swing, bebop, cool jazz, and modern jazz. Dixieland jazz also experienced several revivals and variations over the decades, such as Chicago style, West Coast style, British style, and European style.
Today, dixieland jazz is still alive and well. It is played by many musicians and bands who respect the tradition and add their own flavor to it. It is also enjoyed by many listeners and fans who appreciate its energy and charm. Dixieland jazz is a timeless music that transcends boundaries and generations.
The Characteristics of Dixieland Jazz
Dixieland jazz has some distinctive features and elements that make it stand out from other jazz styles. Here are some of them:
The Collective Improvisation
One of the most characteristic aspects of dixieland jazz is the collective improvisation. This means that instead of having one soloist at a time, all the instruments play together and improvise simultaneously. They create a polyphonic texture that is rich and complex. Each instrument has a specific role and function in the ensemble:
The cornet (or trumpet) plays the main melody or theme of the song.
The clarinet plays a counter-melody or embellishment above the cornet.
The trombone plays a harmony or accompaniment below the cornet.
The tuba (or bass) plays the bass line or foundation of the song.
The banjo (or guitar) plays the chords or rhythm of the song.
The piano plays the chords or fills in the gaps of the song.
The drums play the beat or pulse of the song.
The collective improvisation creates a lively and dynamic sound that reflects the spontaneity and creativity of dixieland jazz musicians. It also requires a high level of communication and coordination among them. They have to listen to each other carefully and respond accordingly. They have to balance their individual expression with their group cohesion.
The Swing Feel
Another important feature of dixieland jazz is the swing feel. This means that instead of playing straight eighth notes (1-2-3-4), dixieland jazz musicians play swung eighth notes (1-and-2-and-3-and-4-and). They accentuate the off-beats (the "ands") and create a syncopated rhythm that is bouncy and groovy. The swing feel gives dixieland jazz its signature swing.
The swing feel also affects the way dixieland jazz musicians phrase their melodies and improvise their solos. They use techniques such as slides, bends, vibrato, glissando, trills, grace notes, blue notes, triplets, turns, etc. They also use scales such as major pentatonic, minor pentatonic, blues scale, mixolydian mode, etc. They create melodies that are catchy and expressive.
The Blues Influence
jazz musicians to improvise over.
The blues influence also affects the way dixieland jazz musicians use harmony and melody. They often use chords that have added notes, such as sevenths, ninths, thirteenths, etc. They also use chords that have altered notes, such as flat fifths, sharp ninths, etc. They create harmony that is colorful and complex. They also use melodies that have notes that are not in the scale, such as flat thirds, flat sevenths, etc. They create melody that is expressive and emotional.
The Instruments of Dixieland Jazz
Dixieland jazz is usually played by a small ensemble of six to eight musicians. The typical instruments used in dixieland jazz bands are:
Cornet (or trumpet): The lead instrument that plays the main melody or theme of the song.
Clarinet: The second lead instrument that plays a counter-melody or embellishment above the cornet.
Trombone: The third lead instrument that plays a harmony or accompaniment below the cornet.
Tuba (or bass): The bass instrument that plays the bass line or foundation of the song.
Banjo (or guitar): The chordal instrument that plays the chords or rhythm of the song.
Piano: The optional instrument that plays the chords or fills in the gaps of the song.
Drums: The percussion instrument that plays the beat or pulse of the song.
These instruments form a balanced and cohesive sound that is characteristic of dixieland jazz. They also allow for a variety of combinations and interactions among them. For example, sometimes the cornet, clarinet, and trombone play together in a collective improvisation. Sometimes they take turns playing solos or breaks. Sometimes they play in pairs or trios. Sometimes they play in call-and-response or trading fours. Sometimes they play in unison or harmony.
Of course, these are not the only instruments that can be used in dixieland jazz. Other instruments such as saxophone, violin, flute, guitar, etc. can also be added or substituted depending on the preference and availability of the musicians. The main thing is to respect the style and spirit of dixieland jazz and to have fun playing it.
The Content of The Real Dixieland Book 13
The Real Dixieland Book 13 is a collection of over 250 songs that represent the essence and diversity of dixieland jazz style. It includes songs from different sources and types:
The standards are songs that are widely known and played by dixieland jazz musicians and fans. They are usually composed by famous dixieland jazz artists or influenced by them. They are considered classics and classics of dixieland jazz repertoire. Some examples of standards included in The Real Dixieland Book 13 are:
Ain't Misbehavin' by Fats Waller
Basin Street Blues by Spencer Williams
Dinah by Harry Akst
High Society by Porter Steele
I Found a New Baby by Jack Palmer
Muskrat Ramble by Kid Ory
St. James Infirmary by Joe Primrose
Tiger Rag by Original Dixieland Jazz Band
When the Saints Go Marching In by Traditional
Wolverine Blues by Jelly Roll Morton
The standards are great for learning and playing dixieland jazz because they have catchy melodies, simple chord progressions, and familiar forms. They also allow for a lot of improvisation and variation among different musicians and bands. They are fun to play and listen to.
The originals are songs that are composed by modern dixieland jazz artists who are active and innovative in the scene. They are usually inspired by the tradition and style of dixieland jazz but also add their own flavor and personality to it. They are considered fresh and original contributions to dixieland jazz repertoire. Some examples of originals included in The Real Dixieland Book 13 are:
Big Chief by Professor Longhair
Blue Drag by Django Reinhardt
Chimes Blues by Wynton Marsalis
Dixie Chicken by Little Feat
Goin' Back to New Orleans by Dr. John
Jazz Me Blues by Preservation Hall Jazz Band
Louisiana 1927 by Randy Newman
Mardi Gras in New Orleans by Fats Domino
Sweet Georgia Brown by Tuba Skinny
The Mooche by Duke Ellington
The originals are great for learning and playing dixieland jazz because they have interesting melodies, complex chord progressions, and diverse forms. They also challenge and inspire the musicians and bands to play with more creativity and expression. They are exciting to play and listen to.
The arrangements are songs that are originally from other genres or styles of music but are adapted and arranged for dixieland jazz. They are usually chosen for their suitability and popularity among dixieland jazz musicians and fans. They are considered creative and fun additions to dixieland jazz repertoire. Some examples of arrangements included in The Real Dixieland Book 13 are:
All of Me by Gerald Marks and Seymour Simons (pop standard)
Careless Love by W.C. Handy (blues)
Crazy by Willie Nelson (country)
Hallelujah I Love Her So by Ray Charles (soul)
Iko Iko by James Crawford (Mardi Gras song)
Limehouse Blues by Philip Braham and Douglas Furber (British music hall)
Minnie the Moocher by Cab Calloway (swing)
Petite Fleur by Sidney Bechet (French chanson)
Sing, Sing, Sing by Louis Prima (big band)
The Entertainer by Scott Joplin (ragtime)
The arrangements are great for learning and playing dixieland jazz because they have familiar melodies, varied chord progressions, and different forms. They also allow for a lot of experimentation and adaptation among different musicians and bands. They are enjoyable to play and listen to.
The Benefits of Using The Real Dixieland Book 13
The Real Dixieland Book 13 is more than just a collection of songs. It is also a comprehensive guide that provides many benefits for jazz musicians who want to master dixieland jazz. Here are some of them:
The Learning Benefits
The Real Dixieland Book 13 can help jazz musicians learn the theory, technique, and repertoire of dixieland jazz. It can help them:
Understand the history and characteristics of dixieland jazz style.
Recognize the roles and functions of each instrument in the ensemble.
Analyze the chord progressions and forms of different songs.
Practice the scales, arpeggios, patterns, and licks that are useful for improvising.
Memorize the melodies and lyrics of different songs.
Familiarize themselves with the standards, originals, and arrangements of dixieland jazz repertoire.
Develop their ear training, sight reading, and transcribing skills.
Expand their musical vocabulary, knowledge, and culture.
The Playing Benefits
The Real Dixieland Book 13 can help jazz musicians play with more confidence, creativity, and fun in different settings. It can help them:
Improvise with more fluency, expression, and variety over different songs.
Solo with more confidence, personality, and style over different songs.
Play in a collective improvisation with more communication, coordination, and balance with other musicians.
Play in different combinations and interactions with other instruments.
sessions, gigs, festivals, etc.
Play with more enjoyment, satisfaction, and fun in playing dixieland jazz.
The Sharing Benefits
The Real Dixieland Book 13 can help jazz musicians connect with other musicians and audiences who love dixieland jazz. It can help them:
Meet and network with other dixieland jazz musicians and bands who share the same passion and interest.
Collaborate and cooperate with other dixieland jazz musicians and bands who have different skills and experiences.
Learn and exchange ideas and tips with other dixieland jazz musicians and bands who have different perspectives and approaches.
Perform and entertain audiences who appreciate and enjoy dixieland jazz music.
Educate and inspire audiences who are curious and interested in dixieland jazz music.
Spread and promote the culture and tradition of dixieland jazz music.
The Tips for Using The Real Dixieland Book 13
The Real Dixieland Book 13 is a powerful tool that can help jazz musicians master dixieland jazz. However, it is not enough to just have the book. It is also important to know how to use it effectively. Here are some tips and advice for using The Real Dixieland Book 13:
The Preparation Tips
Before using The Real Dixieland Book 13 in practice or performance, it is advisable to prepare well. Here are some things to do:
Choose a song that suits your level, goal, and preference.
Listen to different versions and recordings of the song by different artists and bands.
Study the melody, lyrics, chords, form, and style of the song.
Practice the song slowly and gradually increase the speed.
Practice the song with a metronome or a backing track.
Practice the song with different variations and embellishments.
Practice the song with different improvisation techniques and ideas.
Practice the song with different instruments or partners.
The Application Tips
When using The Real Dixieland Book 13 in different situations and contexts, it is important to adapt well. Here are some things to consider:
Know your audience and their expectations.
Know your setting and its limitations.
Know your equipment and its capabilities.
Know your repertoire and its suitability.
Know your bandmates and their strengths.
Know your role and your function.
Know your cues and your signals.
Know your mistakes and your solutions.
The Improvement Tips
After using The Real Dixieland Book 13 in practice or performance, it is beneficial to evaluate and improve. Here are some things to do:
Record yourself playing the song and listen back to it.
Analyze your strengths and weaknesses in playing the song.
Ask for feedback from other musicians or listeners who heard you playing the song.
Identify the areas that need improvement in playing the song.
Set specific goals and action plans for improving your playing of the song.
Review your progress and achievements in playing the song.
Celebrate your success and reward yourself for playing the song well.
Dixieland jazz is one of the oldest and most influential styles of jazz music. It is a lively and joyful music that reflects the culture and tradition of New Orleans. It is also a creative and fun music that allows for a lot of improvisation and variation among different musicians and bands. Dixieland jazz is a timeless music that transcends boundaries and generations.
and diversity of dixieland jazz style. It includes songs from different sources and types, such as standards, originals, and arrangements. It also provides tips and benefits for using this book effectively in learning, playing, and sharing dixieland jazz. The Real Dixieland Book 13 is a comprehensive guide that covers everything you need to know about dixieland jazz.
If you are a jazz musician who loves dixieland jazz, you should definitely get a copy of The Real Dixieland Book 13. It will help you master this wonderful music and have a lot of fun along the way. Whether you are a beginner or an expert, a soloist or a band member, a student or a teacher, you will find something useful and inspiring in this book. So, what are you waiting for? Grab your instrument and your book and start playing some dixieland jazz today!
Here are some frequently asked questions about The Real Dixieland Book 13 and their answers:
Q: Where can I buy The Real Dixieland Book 13?
A: You can buy The Real Dixieland Book 13 online from various websites, such as Amazon, Hal Leonard, Sheet Music Plus, etc. You can also buy it from your local music store or library.
Q: How much does The Real Dixieland Book 13 cost?
A: The Real Dixieland Book 13 costs around $30 to $40 depending on the website or store you buy it from. It is a reasonable price for such a valuable resource.
Q: What format is The Real Dixieland Book 13 in?
A: The Real Dixieland Book 13 is in a spiral-bound paperback format. It has 352 pages and measures 9 x 12 inches. It is easy to use and carry around.
Q: What instruments can use The Real Dixieland Book 13?
A: The Real Dixieland Book 13 can be used by any instrument that can play in the key of C. It has the melody and lyrics of each song written in standard notation and the chords written in symbols above the staff. It also has the transpositions for B-flat, E-flat, and bass clef instruments at the back of the book.
Q: How can I learn more about dixieland jazz?
A: Besides using The Real Dixieland Book 13, you can also learn more about dixieland jazz by listening to recordings and podcasts, watching videos and documentaries, reading books and articles, attending concerts and festivals, joining clubs and societies, taking lessons and courses, etc. There are many resources and opportunities available for you to explore and enjoy dixieland jazz. 71b2f0854b